Theater

Grease (Ram's Head, 2026) – A2

Served as A2 (assistant audio engineer) for Ram's Head Theatrical Society's 2026 production of Grease, managing wireless mic assignments, rigging and maintaining body packs across the cast, troubleshooting RF during rehearsals and performances, and coordinating with the A1 for smooth show flow.

The 48-Hour Musical: True North (2026) – A1

Served as A1 (sound board operator) for True North, the second installment of Stanford's 48-Hour Musical, a brand-new original musical written, composed, choreographed, and performed all within 48 hours.

Performed for a 250-seat audience in Pigott Theater. As A1, I was responsible for mixing the live band and vocals, programming the showfile and scenes, and ensuring audio levels were consistent throughout the performance.

50 Shades of Grayeties (Ram's Head, 2025) – Sound Design

Sound designed Ram's Head's 2025 production, 50 Shades of Grayeties, an original musical where a student producer and a cynical journalist must save the show from disastrous rehearsals and a Berkeley plot to hypnotize Oski.

Matilda (Asian American Theater Project, 2025) – Sound & System Design

Handled sound and system design for AATP’s 2025 production, creating a multi-zone speaker plan accounting for feedback, configuring mics, and programming effects for Matilda’s magical moments.

Legally Blonde (Ram's Head, 2025) – Sound Design

Designed sound for Ram’s Head’s 2025 production, including cue programming for the musical numbers and training an operator to run the system.

Gaieties (Ram's Head, 2024) – Sound Design

I selected, sourced/recorded, programmed, and played sound effects for the Stanford Ram's Head Theatrical Society's production of Camp Stanford, the 2024 edition of the annual Big Game Gaieties.

Photo credits: Oscar Wan.