Theatrical Sound & System Design

Sound designed and managed audio systems for Port-Pourri, an immersive, site-specific semi-devised play with live music.

Inspired by the Brazilian roda de samba—with the audience surrounding and mixing with the characters and musicians. Designed a multi-directional sound system to cover the non-traditional performance space, managing wireless microphones, live acoustic instruments, and environmental effects to blend dialogue and live music seamlessly throughout the room.

Served as A2 for Ram's Head Theatrical Society's 2026 production of Grease, managing wireless mic assignments, rigging and maintaining body packs across the cast, troubleshooting RF during rehearsals and performances, and coordinating with the A1 for smooth show flow.

Served as A1 for True North, the second installment of Stanford's 48-Hour Musical—written, composed, choreographed, and performed all within 48 hours.

Performed for a 250-seat audience in Pigott Theater. Responsible for mixing live band and vocals, programming showfiles and scenes, and ensuring audio consistency.

Sound designed Ram's Head's 2025 production, 50 Shades of Grayeties, an original musical where a student producer and a cynical journalist must save the show from disastrous rehearsals and a Berkeley plot to hypnotize Oski.

Handled sound and system design for AATP's 2025 production, creating a multi-zone speaker plan accounting for feedback, configuring mics, and programming effects for Matilda's magical moments.

Designed sound for Ram's Head's 2025 production, including cue programming for musical numbers and training an operator to run the system.

Selected, sourced/recorded, programmed, and played sound effects for the Stanford Ram's Head Theatrical Society's production of Camp Stanford, the 2024 edition of the annual Big Game Gaieties.